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瓷器首饰的设计研究
摘要：本文力图通过对目前世界首饰设计发展趋势的分析，希望研究出能够代表中国特色文化的瓷器首饰。
经济的发展，科技的进步，生活水平的提高，人们对首饰的要求也跟着提高，等等一系列原因导致珠宝首饰传统意义上的“ 保值 ”功能退居次要位置，代之而来的是审美、时尚、享受和健康。
尽管如此，全球化，统一化使得各国的生活方式和民族文化相互融合并逐渐趋于一致，最终导致了民族界限越来越小，民族特色首饰越来越少。面对这种情况，作为设计人员的我们唯一能做的就是宣传爱国意识，传播爱国情怀。而瓷器首饰本身就有很强烈的民族特征，在加上青花的效果和 “龙”图纹的衬托，使得瓷器首饰的民族特征更加强烈，更加有利于宣传爱国情怀的宣传和表达。
虽然目前整个首饰行业发展已经迈入稳定状态。但我相信瓷器首饰的出现将给首饰界带来另一个无限的发展空间。
瓷器首饰它是当下最流行的“绿色产品”。它危害低,环保、节能、健康。它是你我最佳的选择。
关键词：瓷器首饰；时尚；中国文化；爱国情怀
中图分类号：TB472
The Research on the Design of Porcelain Jewelry
Abstract: This paper tries to discu eyewear design from the perspective of fun spirit by analyzing the present world development trend of eyewear design.We are familiar with eyewear as a product.Now，It is not only the use of correcting short-sightedne and astigmatism, but increasingly becoming a fashion carrier embodied the fun spirit as.For the consumers, the purchase of motivation is on fashion, on personality, on decoration.China's optical industry developed fast in recent years but the whole development of the industry has not been standardized, mature.China is the world's major production base of eyewear, the world's first production, but also can not be the forefront of the field.The lack of design capabilities, blindly follow the example is an important reason.China has a long history, which are rich in spiritual wealth is unique to us.In particular, the Chinese elements is more and more popular today, the using of the Chinese elements in eyewear design creativity is a practical sense.The interpretation of Chinese elements, of course, can not remain in superficial level.This paper wants to interpret the Chinese elements with fun spirit in eyewear design, make It has new content, in line with modern consumer and aesthetic needs.Keywords: Porcelain Jewelry ；Eyewear design ；Chinese elements
Claification: TB472
目次
摘要·······································································································································Ⅰ 目次·······································································································································Ⅲ 1绪论······································································································································1
1.1研究背景··························································································································1
1.2研究目的与意义··············································································································2 2瓷器概述······························································································································4
2.1瓷器的定义······················································································································4
2.2瓷器的发展及其现状······································································································5
2.3瓷器产品的分析··············································································································6 3首饰设计概述······················································································································8
3.1首饰的定义及其分类······································································································8
3.1.1首饰的定义··················································································································8
3.1.1首饰的分类··················································································································8
3.2首饰设计的基本方法······································································································9
3.2.1点线面在首饰中的体现······························································································9
3.2.2色彩在首饰设计中的运用························································································10
3.2.3现代首饰的主要特征和形式美的法则···································································· 11
3.3首饰设计元素的选择····································································································12
3.4首饰设计造型的演化····································································································13
3.5首饰设计图案的选择·································································································14
3.6套件首饰设计············································································································15
3.7现有首饰分析············································································································15 4瓷器首饰的设计················································································································16
4.1瓷器饰品的现状及其发展前景····················································································16
4.2瓷器首饰的特点············································································································18
4.2.1瓷器首饰具有强烈的民族性····················································································18
4.2.2瓷器首饰是新型的“绿色首饰” ············································································183
4.2.3瓷器首饰具有的材质优势························································································19
4.2.4瓷器首饰具有无可替代的色彩优势········································································19
4.2.5瓷器首饰具有形式多样性························································································20
4.2.6瓷器首饰具有独特装饰效果····················································································20
4.3瓷器首饰的加工工艺····································································································21 5瓷器首饰的设计理念及其运用························································································22
5.1碗造型及印章的寓意····································································································22
5.2青花图案与现代亮丽的黄颜色分析对比····································································23
5.3龙文化的寓意················································································································24 6设计实践部分····················································································································26
6.1产品构想························································································································26
6.1.1背景调查····················································································································26
6.1.2目标人群分析············································································································26
6.1.3材料选定····················································································································27
6.1.4产品定位····················································································································27
6.2设计初稿························································································································28
6.3产品分析························································································································28
6.4佩戴展示························································································································29
6.5设计效果图····················································································································30
6.6设计版面························································································································31 7结论····································································································································32 参考文献·······························································································································33 学位论文数据集···················································································································344
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